Canadian Cree Kent Monkman is a prolific artist whose lighthearted paintings, performance art, super-8 movies, antique tintypes, multimedia presentations, & mixed media installations poke fun at racist Hollywood depictions of First Nations people in art and movies. Monkman reverses the roles in the caricaturized cowboys-&-Indians scenario so that it is the 'Indian' whose insists on capturing 'the European Male' in images before he disappeared forever, as though they were peculiar scientific specimens.

Monkman's satirical work focuses scrutiny on cultural filters. To this purpose, he created a public performance persona (inspired by popstar Cher) of a very flamboyant drag queen. In her maribou and dyed feather war bonnet, beaded and open-toed stiletto mocassins, dreamcatcher bra/breastplate and Louis Vuitton quiver, Miss Chief swans over Monkman's visual narratives that completely revise the traditional white view of North American history.

"I have for many years contemplated the race of the white man who are now spread over their trackless forests and boundless prairies and I have flown to their rescue, that phoenix like, they may rise from the stain on a painter's palette, and live forever with me on my canvas." — Miss Chief's soliloquy from Robin's Hood.

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